The
terms "Amerindian" and "Indian" (both
of which are derivatives of "American Indian") are not
necessarily completely synonymous with "Native American".
Although all Amerindians are Native Americans, not all Native Americans
are Amerindians. "Amerindian" relates to a mega-group
of people spanning the Americas that are related in culture and
genetics, and are quite distinct from the later arriving Eskimos
(ie. the US Alaskan Native and arctic Native Canadian; Inuit, Yupik,
and Aleut peoples) who share their cultural and genetic commonality
with non-Native American peoples, such as those from arctic Russian
Siberia. However, in some contexts, Native American is used as
an exact synonym of Amerindian with the implied exclusion of Eskimo
peoples.
The same distinction is made in Canada, where
the term First Nations applies only to Native Canadians who
belong to the cultural
and
genetic mega-group of Amerindians mentioned above. The Canadian
First Nations specifically exclude the Inuit in the north, though
they are included in the terms "First Peoples" and "Native
Canadian".
Most often, the term Native American may be construed
to either include or exclude the Métis of Canada and
the Mestizos and Zambos of Latin America.
Though cultural features, including language, garb, and customs
vary enormously from one tribe to another, there are certain elements
which are encountered frequently and shared by many tribes.
Native American Religion
The most widespread religion at the present time is known as the
Native American Church. It is a syncretistic church incorporating
elements of native spiritual practice from a number of different
tribes as well as symbolic elements from Christianity. Its main
rite is the peyote ceremony. The church has had significant success
in combatting many of the ills brought by colonization, such
as alcoholism and crime. In the American Southwest, especially
New Mexico, a syncretism between the Catholicism brought by Spanish
missionaries and the native religion is common; the religious
drums, chants, and dances of the Pueblo people are regularly
part of Masses at Santa Fe's Saint Francis Cathedral.
Gender Roles for Native Americans
As in many indigenous cultures around the world, homosexual and
transgender individuals (and animals) are considered routine
and expected. Many Native American tribes formally recognize
these homosexual and transgendered individuals in the role of
the "two-spirit" person (previously labeled by Europeans
as "berdache," a term now considered obsolete). Two-spirit
transvestite and homosexual roles are known to have been recognized
and honored, at the present time or historically, in more than
150 different tribes.
The two-spirit is a man or woman who mixes gender
roles by wearing clothes of the opposite or both sexes, doing
both male and female
(or primarily "opposite-gender") work, and often engaging
in same-sex relations with other members of the tribe. Two-spirit
people often are shamans, performing religious and/or mediating
functions. Their special status is thought to invest them with
exceptional spiritual power, as a result of which they are both
feared and respected.
Music and Art of Native Americans
Native American music is almost entirely monophonic, but there
are notable exceptions. Traditional Native American music often
includes drumming but little other instrumentation, although
flutes are played by individuals. The tuning of these flutes
is not precise and depends on the length of the wood used and
the hand span of the intended player, but the finger holes are
most often around a whole step apart and, at least in Northern
California, a flute was not used if it turned out to have an
interval close to a half step.
Performers with Native American parentage have
occasionally appeared in American popular music, most notably
Shania Twain (ethnically
European, but raised by a First Nations adoptive father), Robbie
Robertson, Rita Coolidge, Wayne Newton, and Redbone (band). Some,
such as John Trudell have used music to comment on life in Native
America, and others, such as R. Carlos Nakai integrate traditional
sounds with modern sounds in instrumental recordings. A variety
of small and medium-sized recording companies offer an abundance
of recent music by Native American performers young and old, ranging
from Pow-wow drum music to hard-driving rock-and-roll.
The most widely practiced public musical form among Native Americans
in the United States is that of the pow-wow. At Pow-wows, such
as the annual Gathering of Nations in Albuquerque, New Mexico,
members of drum groups sit in a circle around a large drum. Drum
groups play in unison while they sing in a native language and
dancers in colorful regalia dance clockwise around the drum groups
in the center. Familiar pow-wow songs include honor songs, intertribal
songs, crow-hops, sneak-up songs, grass-dances, two-steps, welcome
songs, going-home songs, and war songs. Most indigenous communities
in the United States also maintain traditional songs and ceremonies,
some of which are shared and practiced exclusively within the community.
For further information, see A Cry from the Earth: Music of North
American Indians by John Bierhorst (ISBN 094127053X).
Native American art comprises a major category
in the world art collection. Native American contributions
include pottery, paintings,
jewelry, weavings, sculptures, basketry, and carvings. The
Cradle board is used by mothers to carry their baby while working
or traveling.
Artists have at times misrepresented themselves as having native
parentage, most notably Johnny Cash, who traced his heritage to
Scottish ancestors and admitted he fabricated a story that he was
one-quarter Cherokee. The integrity of certain Native American
artworks is now protected by an act of Congress that prohibits
representation of art as Native American when it is not the product
of an enrolled Native American artist.